Skip to main content

Teesside University - Shop


Forms of Modernist Fiction: Reading the Novel from James Joyce to Tom McCarthy

Hardback by Attridge, Derek (Emeritus Professor in the Department of English and Related Literature and Fellow of the British Academy, University of York)

Forms of Modernist Fiction: Reading the Novel from James Joyce to Tom McCarthy

£100.00

ISBN:
9781399512459
Publication Date:
1 Aug 2023
Language:
English
Publisher:
Edinburgh University Press
Pages:
272 pages
Format:
Hardback
For delivery:
Estimated despatch 24 - 29 Aug 2026
Forms of Modernist Fiction: Reading the Novel from James Joyce to Tom McCarthy

Description

Innovative literary form examined from the point of view of the reader's experience Invites a reconsideration of the importance of the formal features of the novel Argues for a focus on the reader's experience of literary form Traces the impact of the modernist revolution on later writers Considers writing from several countries, including Ireland, New Zealand, the Netherlands, South Africa, Scotland, Pakistan and England The formal innovations of the modernist novelists have continued to reverberate to the present day, less importantly as a matter of imitation and more as a stimulus to further innovation. Focusing on the experience of the reader in engaging with a selection of these works from around the globe, this book argues that a rigorous attention to formal features is crucial in appreciating their achievement and in understanding the impact of the early modernists on the history of the novel. Joyce's Ulysses is given particular attention for its feats of formal invention and as an inspiration for many later writers. Among the facets of modernist writing explored are the separation of content and form, the transgression of linguistic boundaries, the defiance of lexical and syntactic rules, the deployment realist techniques to present the unreal, the political significance of literary form, and the relation between formal innovation and affect.

Contents

Acknowledgements Introduction: The Experience of Form: Joyce and After 1. Modernist Style in the Making: Dubliners and A Portrait of the Artist as a Young Man 2. Ulysses and the Question of Modernist Form 3. Nonlexical Onomatopoeia: Hearing the Noises of Ulysses 4. Joycean Pararealism: How to Read 'Circe' 5. After Finnegans Wake: Caryl Churchill's The Skriker 6. The Event of Reading: Samuel Beckett's The Unnamable 7. Multilingualism and Translation: W. F. Hermans's Nooit meer slapen 8. Afrikaans Modernism and the Anglophone Reader: Etienne van Heerden's 30 nagte in Amsterdam 9. Crossings of Place and Time: Zoë Wicomb's Fiction 10. Form and Content: Eleanor Catton's The Luminaries 11. Reading and Choice: Ali Smith's How to Be Both and Marlene van Niekerk's Memorandum 12. Formal Innovation and Affect in the Contemporary Irish Novel: Kevin Barry, Mike McCormack, and Eimear McBride 13. Form, Politics, and Postcolonial Fiction: Kamila Shamsie's Home Fire 14. Joycean Innovation Today: Tom McCarthy's Fiction Works Cited Index

Back

Teesside University