What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical theatre, and comedy.
Introduction: Nick 1. Acting 2. Inner Monologue (IM) in Basic Psychology Mikayla 3. IM Everyday 4. IM in Acting Carolyn 5. IM as Enemy 6. IM versus Subtext Jacqueline 7. IM in Transitions 8. IM Alone Onstage Kirill 9. IM in Objective/Tactic/Obstacle Stephanie 10. IM Out of Your Head 11. IM in Script Scoring Zev 12. IM in Drama 13. IM in Film 14. IM in Classical Theatre Sarah 15. IM in Musical Theatre 16. IM in Comedy Andrew 17. IM in Style Rachel 18. IM in Auditions 19. IM in Other Psychological Situations 20. IM in Other Performance Forms Ian
