"Behind-the-scenes" stories of ranting directors, stingy producers, temperamental actors, and the like have fascinated us since the beginnings of film and television. Today, magazines, websites, television programs, and DVDs are devoted to telling tales of trade lore-from on-set antics to labor disputes. The production of media has become as storied and mythologized as the content of the films and TV shows themselves.
Production Studies is the first volume to bring together a star-studded cast of interdisciplinary media scholars to examine the unique cultural practices of media production. The all-new essays collected here combine ethnographic, sociological, critical, material, and political-economic methods to explore a wide range of topics, from contemporary industrial trends such as new media and niche markets to gender and workplace hierarchies. Together, the contributors seek to understand how the entire span of "media producers"-ranging from high-profile producers and directors to anonymous stagehands and costume designers-work through professional organizations and informal networks to form communities of shared practices, languages, and cultural understandings of the world.
This landmark collection connects the cultural activities of media producers to our broader understanding of media practices and texts, establishing an innovative and agenda-setting approach to media industry scholarship for the twenty-first century.
Contributors: Miranda J. Banks, John T. Caldwell, Christine Cornea, Laura Grindstaff, Felicia D. Henderson, Erin Hill, Jane Landman, Elana Levine, Amanda D. Lotz, Paul Malcolm, Denise Mann, Vicki Mayer, Candace Moore, Oli Mould, Sherry B. Ortner, Matt Stahl, John L. Sullivan, Serra Tinic, Stephen Zafirau
Introduction: Production Studies: Roots and Routes, Vicki Mayer, Miranda J. Banks, and John Thornton Caldwell
Part One: Histories of Media Production Studies
1. Bringing the Social Back In: Studies of Production Cultures and Social Theory, Vicki Mayer
2. Industry-Level Studies and the Contributions of Gitlin's Inside Prime Time, AmandaD. Lotz
3. Leo C. Rosten's Hollywood: Power, Status, and the Primacy of Economic and Social Networks in Cultural Production, John L. Sullivan
4. Privilege and Distinction in Production Worlds: Copyright, Collective Bargaining, and Working Conditions in Media Making, Matt Stahl
Part Two: Producers: Selves and Others
5. Self-Serve Celebrity: The Production of Ordinariess and the Ordinariness of Production in Reality Television, Laura Grindstaff
6. Feminism Below-the-Line: Defining Feminist Production Studies, Miranda J. Banks
7. It's Not TV, It's Brand Management TV: The Collective Author(s) of the Lost Franchise, Denise Mann
8. Showrunning the Doctor Who Franchise: A Response to Denise Mann, Christine Cornea
Part Three: Production Spaces: Centers and Peripheries
9. Liminal Places and Spaces: Public/Private Considerations, Candace Moore
10. "Not in Kansas Anymore": Transnational Collaboration in Television Science Fiction Production, Jane Landman
11. Crossing the Border: Studying Canadian Television Production, Elana Levine
12. Borders of Production Research: A Response to Elana Levine, Serra Tinic
Part Four: Production as Lived Experience
13. Studying Sideways: Ethnographic Access in Hollywood, Sherry Ortner
14. Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood, Stephen Zafirau
15. Lights, Camera, but Where's the Action? Actor-Network Theory and the Production of Robert Connolly's Three Dollars, Oli Mould
16. Both Sides of the Fence: Blurred Distinctions in Scholarhip and Production (A Portfoloio of Interviews), John Caldwell. The Craft Association, Paul Malcolm. Hollywood Assistanting, Erin Hill. The Writer's Room, Felicia D. Henderson.
Select Bibliography
List of Contributors
Index
