This book rethinks the origins and nature of magical realism and provides detailed readings of key novels by Asturias, Carpentier, García Márquez, Rushdie, and Okri. Identifying two different strands of the mode, one characterized by faith, the other by irreverence, Warnes makes available a new vocabulary for the discussion of magical realism.
Preface Introduction: Re-thinking Magical Realism Magical Realism as Postcolonial Romance Faith, Idealism and Irreverence in Asturias, Borges and Carpentier Magical Realism and Defamiliarisation in Gabriel García Márquez's One Hundred Years of Solitude Migrancy and Metamorphosis in Salman Rushdie's The Satanic Verses The African World View in Ben Okri's The Famished Road Conclusion Bibliography Index
